Financial
Daily from THE HINDU group of publications
Friday, Sep
02, 2005
Industry
& Economy - Environment
Green is
the word
Vineeta
Badawe
Let's
take a leaf out of energy-efficient building designs that are the norm in
Europe. |
The Grundfos office in
Chennai.
While studying in Denmark
and travelling around Europe, first as student and then as a professional, none
of us talked about `green' buildings. There were no courses offered on this
subject. It's only now I realise that it was because Europeans take it for
granted.
In those countries, to
say a building should have a good waste disposal and recycling system, and energy
efficiency is like saying the building should have walls and windows. It's an
essential, and if the building does not have these features, people will refuse
to occupy it. As simple as that!
When I returned to India
and started a branch of V.V. Architects in Chennai in 1998, again no one talked
about it here... but for a different reason. Barring a few exceptions, like the
Auroville and architect Laurrie Baker from Kerala, nobody thought about how
alternative energy resources, water efficiency, and indigenous materials and
technology should be used in planning buildings.
A challenging
project
In this scenario I was
asked to take part in a Limited Architectural Competition to design Vestas Wind Energy's
premises in Chennai. The brief was simple... the company makes windmills ? an
alternative source of energy ? and its office and campus should reflect its
philosophy.
The land chosen was a
coconut grove in Chennai, and as it is a very hot city, the assignment provided
both challenges and inspiration. The three-axial plan inspired by the geometry
of the windmill was an idea that came to me easily on a long train journey from
Chennai to Pune. Incidentally, this form also helped save the maximum number of
trees in the grove. The rest was an uphill task. Since energy-efficient
buildings were a rarity, I read every book available on environment,
sustainable development and good building practices.
All these ideas were put
on paper and presented to the company for review. While reviewing our proposal,
Ramesh Kymal, Managing Director of Vestas Wind Energy, commented that it looked like a
resort. We were unsure what to make of this comment. I convinced myself that it
was a positive remark.
We were eventually
awarded the project and then came the toughest part. At that time no one was
aware of the rating system by USGBC (United States Green Buildings Council),
and few contractors had the knowledge and technology for insulated walls;
energy-efficient sandwich glass was expensive, the building shape with three
wings added a lot of wall area. All this had a predictable effect ? the costs
were difficult to control, and we had to think up innovative solutions.
The skylight, use of
granite as plinth insulation, rolling landscape, earth filling, transplantation
of uprooted trees, satisfying the norms of Vaastu ? all these made it an
exciting experience. Vestas Wind Energy's 60,000 sq ft built space on 5.5 acres was
completed in a record seven months. To be honest, none of us was then aware
that our building would qualify for a Gold Rating by the USGBC. That came as a
bonus.
I began to be more
systematic and started to rely less on `intuition' and more on `reality'. Due
to the building's energy-efficient design, the company saves about 30 per cent
on energy. But what matters for those who work there is the quality of space;
and what matters to visitors is the element of surprise.
Conservation is
the key
Grundfos, again a Danish
company, happened next. By now we were familiar with the `energy efficiency'
aspect of buildings. We submitted our proposal. The concept was that of a very
long building... organic in form with circles and ellipses as staircases and
roof punctures. There were blue and green courtyards, water walls and vaulted
roofs. In the initial proposal, energy-efficient, high-end air-conditioning and
electrical equipment were included.
We waited impatiently for
N.K. Ranganath, the Grundfos CEO, to return from Denmark. On his return he
called and said: `Your building was a hit!' We were all very happy and our
design team had a celebration. We looked forward to the water walls and curved
lines.
The Danes, however,
believe that a `white box' means efficiency. We Indians like the exotic ? at
least in small measures.
We did manage to come to
an understanding and the result is an elegant yet exciting building. A few
curves and ellipses remained; a few circles and water walls were deleted.
The building revolves
around light. How sunlight affects people, how light travels from windows, from
vertical and inclined glass walls, linear and pyramidal skylights, and so on.
The building's interior
is very light... there are no heavy concrete staircases. Courtyards are
integrated ? they invite nature, people and the ducks.
NEG depends on wind
energy, Grundfos on solar energy.
The Grundfos building recycles
every drop of water. Under the landscape a layer of eco-gel reduces
water-consumption by half. Common areas and toilets are fitted with occupancy
and movement sensors that control the artificial lighting. Nobody is without
daylight or a view.
The building management
systems are integrated in the design. Task lights are provided at each
workstation so that a person working late into the night does not have to
switch on the general lighting. Carbon dioxide levels are controlled. Grundfos
has invested in a thermal storage tank for its air-conditioning requirements,
the urinals are waterless, and waste is segregated into dry and wet at the
source. The building has a good fire protection system with fire alarms, fire
rated doors and fire zones.
There is another
dimension to the Grundfos building. The design is friendly towards physically
challenged people. Though only a two-storeyed building, there is a Braille
enabled lift. Every staircase has an option of a ramp or a lift, the switches
and handles are at low level, so that a person on a wheelchair can access them.
Handrails are designed for easy grip.
Ranganath lent me a
documentary film called Access, which showed perfectly capable and
intelligent people not being able to function due to sheer indifference and
callousness on the part of civil society. All that these people need is
access... to their workplace, shopping centres, public utilities, etc. And for
an architect it does not take much to provide this access at the design stage.
It just means planning the buildings, streets and townships in a manner that
gives a wheelchair-bound person access... through a substitute for a staircase
and wider passageways and doors... and also provide important information in
Braille. One is well aware that designing high-end corporate offices with
`Gold' rating is not the end of the road. Much more needs to be done
individually and collectively to save the environment. Architects can play a
major role in this endeavour.
Some of us need to start
a movement against the highly energy-inefficient steel and glass structures
that keep coming up in our cities, under the guise of `modernism'. While we
need clients who are sensitive to the environment and willing to go the extra
mile, as architects we, too, should include `green' in our design lexicon.
Actually we don't really have a choice.